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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><IMG height=442 hspace=5 src="http://www.world-destiny.org/Crop%20Circles/2002/uk2002da.jpg" width=620 align=left border=0><FONT face=Arial><B><FONT size=4>Windmill Hill (2), nr Avebury, Wiltshire. </FONT></B></FONT>
<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><FONT face=Arial><B><FONT size=4>Reported 2nd August.</FONT></B></FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>Curiously, this formation has 37 spokes, not 36. Thus it does not follow a rule of 360 degrees divided by 10. This extra spoke does not seem to be an accident.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>The intricate design certainly was not done my man.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><IMG height=361 hspace=5 src="http://www.world-destiny.org/Crop%20Circles/2002/nursteed2002mjfb.jpg" width=500 align=right border=0>
<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><B><FONT size=4>Nursteed, nr Devizes, Wiltshire. </FONT></B>
<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><B><FONT size=4>Reported 11th August.</FONT></B>
<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>When a protractor is used to create other circles with the same diameter from the edge of a first circle, one obtains six evenly spaced circles. Here the design incorporates such circles, but then doubled at even spacing around the perimeter of the first circle, to make 12 circles. The entire effect, with select areas of crop pushed down, shows as an interwoven ball or bowl.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><IMG height=382 src="http://www.world-destiny.org/Crop%20Circles/2002/nurstead%20(2).gif" width=380 border=0> </FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><IMG height=427 src="http://www.world-destiny.org/Crop%20Circles/2002/uk2002df.jpg" width=620 align=left border=0><FONT face=Arial>
<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><B><FONT size=4>East field(3), nr Alton Barnes. Wiltshire. </FONT></B>
<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><B><FONT size=4>Reported 14th August.</FONT></B>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>This formation has been dubbed the "Dolphins." At first glance it certainly appears that way. However, when I looked at Lucy Pringle's second picture I was astounded to see what appears as a second formation superimposed upon the first, and situated IN THE AIR slightly above the first.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>See picture below.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>If the Circle Makers could produce a ribbon effect, as we saw earlier, they certainly could produce this illusion. Of course, what we perceive depends upon viewing angle, lighting conditions, and other factors. But the illusion is seen even in the first photograph. It is the kind of geometric construction we create in our 3-D drawings done on 2-dimensional paper.</FONT></FONT><FONT face="Times New Roman"> </FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><FONT face="Times New Roman"><IMG height=417 src="http://www.world-destiny.org/Crop%20Circles/2002/uk2002df2.jpg" width=613 border=0></FONT>
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<TD align=middle width="100%" colSpan=2><IMG height=316 hspace=5 src="http://www.world-destiny.org/Crop%20Circles/2002/crabwood2002saa.jpg" width=500 align=right border=0><B><FONT size=4>Crabwood Farm House, nr Winchester, Hampshire. Reported 15th August.</FONT></B>
<P align=left><FONT size=2>This is a most incredible crop formation. It shows how well our Celestial Visitors know us. They have taken our image of their appearance and reproduced it here in a field of grain. It may be that they do indeed appear like this to human beings who are subject to their study, as I have elsewhere discussed. But for them to admit this interactive relationship between celestial and human beings is absolutely fascinating. Certainly there could be no closer connection between our understanding of our Visitors and their presence. Here Crop Circles are directly tied to Celestial Visitors. What was merely geometric symbolization in a multitude of crop circles now becomes direct.</FONT>
<P align=left><FONT size=2>Furthermore, the coded disk directly incorporated into this formation shows a means of communication never before so clearly offered. Unfortunately, I do not know of anyone who has successfully decoded the disk. How great it would be if we had someone who could do that.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><IMG height=614 src="http://www.world-destiny.org/Crop%20Circles/2002/uk2002dl3.jpg" width=392 border=0>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px"><IMG height=402 src="http://www.world-destiny.org/Crop%20Circles/2002/crabwood2002sac.jpg" width=492 border=0>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>You can see the individual segments of the coding interspersed around the circle in a continuous spiral. The coding is made up of several different length blocks and spaces in 14 spiral circles. One could lay it out as a straight string. Certainly an ingenious method for giving a lengthy message. Equally incredible is the ability of the Circle Makers to do this in spite of the break up of the grain by the tractor lines.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>The Germans make a music box that is driven by similar coded disks. I wonder what the music would sound like if this image were reproduced to play on such instrument.</FONT>
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<P style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px" align=left><FONT size=2>This may be the first example of painting of pictures directly into grain. What human being would even come close to this display? Note that the image is formed at an angle to the tractor lines to prevent confusion between the image and the lines. The size of the image was chosen to produce such a profound effect.</FONT></DIV></TD></TR>
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<TD align=middle width="50%"><FONT size=2>I include here a full report from Stuart Dike and the Crop Connector staff. I feel it is important enough to show their reaction to this most amazing display.</FONT>
<P class=MsoTitle align=left><FONT color=#000080><B><FONT face=Arial>FIELD REPORT</FONT></B><FONT face=Arial size=2><BR><BR>Winchester, Hampshire. August 15 2002</FONT></FONT>
<P class=MsoTitle><B><FONT face=Arial color=#000080 size=2>The Scary Alien Formation </FONT></B>
<P class=MsoTitle><FONT face=Arial color=#000080 size=2>M.J. Fussell, editor of the Crop Circle Connector web site, seemed a little flustered on the phone as he tried to inform me of a new crop glyph he had learned of the previous evening. From my end he sounded as if he was foaming at the mouth as he breathlessly tried to fill me in. All I got of any real value were the words 'alien' and 'coded disc'. </FONT>
<P class=MsoTitle align=left><FONT face=Arial color=#000080 size=2>WHAT? </FONT>
<P class=MsoTitle align=left><FONT face=Arial color=#000080 size=2>'See it for yourself, I'm uploading an image right now'...</FONT>
<P class=MsoTitle><FONT face=Arial color=#000080 size=2>As the image of this most perplexing of crop formations appeared on the Silent Circle Cafe computer screen, faces filled with amazement, coupled with gasps of disbelief which permeated the building. Human reaction to perceived alien contact, a very interesting thing to witness indeed. What we were looking at was without doubt the most stunning, atmospheric and indeed the most sinister crop glyph that has appeared to date. An alien with a CD, that's outrageous, but there it was, stretched across a field of ripe wheat in far out Hampshire. Our minds were made up there and then; we had to get on site ASAP. Something that subtle would no doubt take a severe battering from hoards of visitors. With this in mind the exact location of the new glyph was acquired and we were on our way. </FONT><B><I></I></B>
<P class=MsoTitle><FONT face=Arial color=#000080 size=2>One and a half hours later and we were actually standing within the huge and, from zero elevation, almost totally incomprehensible alien body. Confusing would be an understatement here, even though we had seen the aerial image beforehand our ability to discern which part of the formation we were actually in was very difficult indeed. However once we had located the disc things began to get a little easier. That said, if one had not had the good fortune to see the overhead view before entering then the whole thing would have been near impossible to figure out. </FONT></DIV></TD>
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<P class=MsoNormal style="TEXT-ALIGN: center" align=center><B><FONT face=Arial color=#000080 size=2>How did it look and feel? </FONT></B>
<P class=MsoBodyText><FONT face=Arial size=2><FONT color=#000080>Very much like the 2001 </FONT><A style="TEXT-DECORATION: none" href="http://www.cropcircleconnector.com/archives/2001/chilbolton1/chilbolton2001a.html" target=_blank rel=nofollow><FONT color=#000080>Chilbolton</FONT></A><FONT color=#000080> 'Face' and 'Message' formations. Subjectively there were very strange and oppressive feelings within the new arrival. One could almost say feelings of foreboding and awe were the overriding flavours of this event, as indeed was the impression we both felt almost exactly one year earlier over at </FONT></FONT><FONT size=2><FONT color=#000080></FONT><A style="TEXT-DECORATION: none" href="http://www.cropcircleconnector.com/archives/2001/chilbolton1/chilbolton2001a.html" target=_blank rel=nofollow><FONT color=#000080>Chilbolton</FONT></A><FONT color=#000080>, just nine miles away. It really did seem that the same agency had been at work, only this time the
finished product is utterly staggering, above and below, the 2001 events seem positively crude in comparison to this masterpiece, that alone is quite a statement when one considers the reaction to those events at the time. Other interesting points of relationship include the fact that the new arrival is positioned on the highest point in the locality, as was the case at </FONT><A style="TEXT-DECORATION: none" href="http://www.cropcircleconnector.com/archives/2001/chilbolton1/chilbolton2001a.html" target=_blank rel=nofollow><FONT color=#000080>Chilbolton</FONT></A><FONT color=#000080>. Also there is the positioning of the formation in very close proximity to hi tech communications equipment, just like at </FONT></FONT><FONT face=Arial size=2><A style="TEXT-DECORATION: none" href="http://www.cropcircleconnector.com/archives/2001/chilbolton1/chilbolton2001a.html" target=_blank rel=nofollow><FONT color=#000080>Chilbolton</FONT></A><FONT
color=#000080>, coincidence? I doubt it. Maybe this positioning is a deliberate attempt by whatever agency that created this series of images to cultivate this bizarre, sinister kind of scary feel. If this was the intention it works very well, leaving one with very mixed feelings of excitement, anticipation, and confusion and for many observers, fear, again probably as intended. </FONT></FONT>
<P class=MsoBodyText><FONT face=Arial color=#000080 size=2>All laid crop areas were extremely neat when we arrived, with no evidence of prior incursion by more than a couple of people, at most. We had beaten the rush and were given the privileged opportunity to have a really good hands and knees look at the un-trampled floor of this seemingly impossible design. That we did! </FONT>
<P class=MsoNormal style="TEXT-ALIGN: justify" align=center><FONT face=Arial color=#000080 size=2>With the total absence of 'stomper board' markings throughout all areas of the formation examined, we had to conclude that it was most unlikely that this is a standard fake. The damage we caused to the laid crop was shocking. Everywhere we stepped we were smashing the plants under our feet, leaving very obvious signs of human body weight on the mega brittle, bone dry plants. How could a crew of fakers be in there and not leave the whole thing, in terms of smashed up plants, massively traumatised. The crop was so dry and brittle that the very action of putting ones foot down caused everything underfoot to literally crumble into an ugly tangle of broken, shattered wheat. In short, what we experienced on the ground on day one cannot be reconciled with any ground based hoaxing methodology that we are aware of at this time. </FONT>
<P class=MsoNormal style="TEXT-ALIGN: justify" align=center><FONT face=Arial color=#000080 size=2>Could it be for real? ET with a disc full of info for the people of the Earth, a very far out concept indeed. If they wish to have an overt communication why not just land the saucers in Hyde Park? </FONT>
<P class=MsoNormal style="TEXT-ALIGN: justify" align=center><FONT face=Arial color=#000080 size=2>Could it be a 'big brother' scam job, employing sophisticated airborne/ space borne technologies, intended to steer the real benevolent crop circle situation in a certain direction? Indeed, is there a technology that could do such a thing? All we could say for sure is that somehow this amazing work is there and was almost certainly created from above, (CFPR personal opinion). </FONT>
<P class=MsoNormal style="TEXT-ALIGN: justify" align=center><FONT face=Arial color=#000080 size=2>Utterly staggering and utterly confusing, just wait for the 2003 ET special. </FONT></FONT></DIV></TD></TR></TBODY></TABLE>
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<DIV>Arecibo Radio Message to Space</DIV>
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<DIV>Crop Circle Response to Message next to Radio Telescope</DIV>
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<DIV><IMG height=565 alt="[image uk01dm/final.gif]" hspace=8 src="http://membres.lycos.fr/jaumotte111/images/final[1].jpg" width=675 border=0></DIV>
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<CENTER>Crabwood formation Crop Circle </CENTER></TD></TR>
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<CENTER><IMG height=175 alt=Arecibocircles src="http://www.aloha.nl/aloha/catalog/images/AreciboCircels.jpg" width=220> </CENTER></TD></TR></TBODY></TABLE></TD></TR>
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<CENTER>Arecibo-message in binary code<BR>Chilbolton Radio Telescope<BR>Near Wherwell, Hampshire, England <BR>August 19, 2001 </CENTER></TD></TR></TBODY></TABLE></TD></TR>
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<TD><IMG height=192 alt="Sagan'sAricibox" src="http://www.aloha.nl/aloha/catalog/images/Sagan'sAricibox.jpg" width=220></TD>
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<DIV>Carl Sagan / NASA<BR>Arecibo-message in binary code 1974<BR></DIV></TD></TR></TBODY></TABLE></TD></TR>
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<TD><IMG height=196 alt=AriciboxCompare src="http://www.aloha.nl/aloha/catalog/images/AriciboxCompare.jpg" width=220></TD>
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<DIV>Sagan's Arecibo:<BR>decimal calculation system<BR>carbon chemical based<BR>2-string DNA code<BR>Humans Height and Quantity<BR>3rd planet in our Solar System</DIV>
<DIV>the "CD" circle:<BR>decimal calculation system<BR>silicon based<BR>3-string DNA code<BR>Large Head Humanoid 4' tall 21.3 billion<BR>3rd 4th and 5th planet in their System</DIV></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABLE><BR><BR><BR>
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<CENTER><IMG height=178 alt="Face Circle" src="http://www.aloha.nl/aloha/catalog/images/FACEcircle.jpg" width=220> </CENTER></TD></TR>
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<CENTER>Crop Circle 3D-face offering a CD-Disk <BR>Crabwood Farm House near Winchester, Hampshire, England<BR>August 15, 2002<BR></CENTER></TD>
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<TD><IMG height=95 alt="decoded CD" src="http://www.aloha.nl/aloha/catalog/images/decoded-CD.jpg" width=220></TD>
<TD>Maurice Osborn's ASCII-decoding of the Crabwood "CD":</TD></TR></TBODY></TABLE></TD></TR>
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<CENTER><B><FONT color=#333333><BR>Beware of the bearers of FALSE gifts & their BROKEN PROMISES. Much PAIN but still time.</FONT></B> <BR>EELRIJUE < Damaged word could be: BELIEVE.<BR><B><FONT color=#333333>There is GOOD out there. We OPpose DECEPTION.</FONT></B> <BR>Conduit CLOSING 'bell sound' </CENTER></TD></TR></TBODY></TABLE></TD></TR>
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<TD><BR>ED: <BR>When you look at the picture at these Crabwood Farm crop circles, responsible for these circles seem to be the Tiny Grey's, since there is mention of a 4' length only - and there is lot's of them .. <BR><BR>One might also deduce - premising true incidents - that in accordance to other mentionings on the Web, the Grey's and their Masters have stopped abduction and experimenting on us. Hear, hear, there is justice after all in the Universe. <BR><BR>And the Big Question remaining on that: Why did they stop, Who enforces Law & Order in the Universe ..</TD></TR></TBODY></TABLE></DIV>
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