<font face="Arial, Helvetica, sans-serif">just because they played them does not mean they liked them,have you ever asked?</font><br>
<div><font face="Arial, Helvetica, sans-serif"></font><font id="role_document" color="#000000" face="Arial" size="2"><font style="background-color: transparent;" color="#000000" face="Arial" size="2"><font color="#000000" face="Arial" size="2"><font style="background-color: transparent;" color="#000000" face="Arial" size="2"><font color="#000000" face="Arial" size="2">
<div>Here is an exact quote from George Gruhn's Book "Gruhn's
Guide to Vintage Guitars"</div>
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<div><font size="4"><strong>Flat tops from the 70's are considered to be
mediocre by consensus of players, collectors, and even the Gibson
company. Workmanship on flat tops of that period was at a low point,
and the double X bracing pattern used at that time was detrimental to tone
production.</strong></font></div>
<div><font size="4"><strong></strong></font> </div>
<div><font size="4"><strong>P 105</strong></font></div>
</font></font></font></font></font><font face="Arial, Helvetica, sans-serif">t</font>he guy is talking about a lot of the Gibson acoustics made in the 60's
that those guys used. They were ok guitars..</div>
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<div>The 70's models are most notorious for needing neck resets ( an expensive
repair made necessary to be even able to play the guitars). They are not
worth much is the resale or vintage market, and probably never will be except
for antique value. <br>
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<div>Not trying to be unkind, just factual.</div>
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