[Woodcarver] more flesh tones

Merrilee Johnson merrihat at hotmail.com
Fri Jun 24 14:37:26 EDT 2005




Hi Susan!
Jim asked for flesh tone using oil paint - do the suggestion you gave him
convert to acrylic any? And what are the advantages to using oil? Its
harder to clean up so I have stayed away from it pretty much. Thanks for
the additional information!
Merrilee


>>For light peach colored skin try a mixture of:

>Titanium White

>Cadmium Yellow

>Madder Brown (this is a deep off tone red)

>Use Raw Umber for the shadow tones.

>

>For a light brown or coffee colored skin use:

>Titanium White

>Yellow Ochre

>Burnt Sienna

>Use a mix of Burnt Sienna and Burnt Umber for the shadow tones.

>

>For a chocolate colored skin tone try:

>Titanium White

>Burnt Sienna

>Burnt Umber

>Use Burnt Umber for the shadow tones.

>

>All three skin color mixes use an orange hue for the blushing. If I am

>working in acrylics I do the painting first, then add the oil stain.

>Once the oil stain is dry mix some cadmium yellow and cadmium red oil

>paint to create a nice bright orange. Pick up a little on a clean

>cloth then blot that cloth very very well on a towel so there is very

>little color left in the cloth. Now pat that cloth where you want the

>blush ... cheeks, tip of nose, and top of the chin. The patting means

>you will have no brush strokes and since it's done in oil colors the

>acrylic and staining work shows through the blush.

>

>Hope this helps.

>

>Susan Irish

>Carving Patterns Online

>Designs Online Since 1997!

>Classic Carving Patterns By L.S.Irish

>http://www.CarvingPatterns.com <http://www.carvingpatterns.com/>

>http://www.WoodCarvingPatterns.com <http://www.woodcarvingpatterns.com/>

>

>


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