[Woodcarver] more flesh tones
Merrilee Johnson
merrihat at hotmail.com
Fri Jun 24 14:37:26 EDT 2005
Hi Susan!
Jim asked for flesh tone using oil paint - do the suggestion you gave him
convert to acrylic any? And what are the advantages to using oil? Its
harder to clean up so I have stayed away from it pretty much. Thanks for
the additional information!
Merrilee
>>For light peach colored skin try a mixture of:
>Titanium White
>Cadmium Yellow
>Madder Brown (this is a deep off tone red)
>Use Raw Umber for the shadow tones.
>
>For a light brown or coffee colored skin use:
>Titanium White
>Yellow Ochre
>Burnt Sienna
>Use a mix of Burnt Sienna and Burnt Umber for the shadow tones.
>
>For a chocolate colored skin tone try:
>Titanium White
>Burnt Sienna
>Burnt Umber
>Use Burnt Umber for the shadow tones.
>
>All three skin color mixes use an orange hue for the blushing. If I am
>working in acrylics I do the painting first, then add the oil stain.
>Once the oil stain is dry mix some cadmium yellow and cadmium red oil
>paint to create a nice bright orange. Pick up a little on a clean
>cloth then blot that cloth very very well on a towel so there is very
>little color left in the cloth. Now pat that cloth where you want the
>blush ... cheeks, tip of nose, and top of the chin. The patting means
>you will have no brush strokes and since it's done in oil colors the
>acrylic and staining work shows through the blush.
>
>Hope this helps.
>
>Susan Irish
>Carving Patterns Online
>Designs Online Since 1997!
>Classic Carving Patterns By L.S.Irish
>http://www.CarvingPatterns.com <http://www.carvingpatterns.com/>
>http://www.WoodCarvingPatterns.com <http://www.woodcarvingpatterns.com/>
>
>
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