[Woodcarver] Butternut (formerly Black Walnut)
rick p
rick_pfm at yahoo.com
Sat Oct 15 13:24:02 EDT 2005
Does anyone have plans for making Native American
Flutes?
Rick Parker
rick_pfm at yahoo.com
--- Mike Bloomquist <m.bloomquist at verizon.net> wrote:
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> Joe,
> I echo your feelings on the butternut, especially
> the "we're going to miss
> it". Catalpa is a fine substitute, but I find it
> much harder to carve, and
> the browns on most pieces I have and have seen
> aren't as rich <deep>.
> Because it is denser than butternut, catalpa, for
> me, makes better N.A.
> flutes because the flute walls resonate more
> strongly. That sound quality
> is very subjective and only my humble opinion, but
> because of it, I use my
> catalpa for the flutes and reserve the butternut for
> other projects.
>
> It's sad that a lot of my butternut lately is coming
> from standing dead
> "finds" that my carving friends and I have made in
> woodlots and peoples'
> backyards. My oldest woodcarving friend (10 years
> now), Harold, has always
> had a real nose for carving lumber in general, but
> keeps a special eye
> <nose?> out for butternut to add to our drying
> piles. We've combined forces
> several times to fell, cut up, divvy up, and stack
> butternut for carving,
> but he still has the larger stockpile. Like most
> friends, we go back and
> forth doing things for each other, but more than
> once I've found a gift
> piece (more like a timber) of butternut waiting for
> me on the side porch
> when he though he was behind in the balance.
> Hopefully we honor these trees
> properly in our carvings. To honor the tree is my
> general feeling for any
> wood that I carve, but especially butternut.
>
> Keep on Carvin'
> -Mike Bloomquist->
>
> Wooden Dreams Woodcarving
> http://www.borg.com/~bloomqum
>
>
>
> ----- Original Message -----
> From: "Joe Dillett" <jdillett at thecarvingshop.com>
> To: "[Woodcarver]" <woodcarver at six.pairlist.net>
> Sent: Friday, October 07, 2005 9:53 AM
> Subject: Re: [Woodcarver] Black Walnut
>
>
> > DONATIONS to the Woodcarver Mailing List can be
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> > > Joe,
> > >
> > > In your opinion where does butternut fall in
> hardness?
> > >
> > > Jim D.
> > > http://www.picturetrail.com/oldtool2
> > > http://www.jdscrafts.com
> > *************************
> > Hi Jim,
> >
> > For me butternut (aka white walnut also called
> oilnut) and basswood are
> > about the same carving hardness.
> >
> > Average Specific Gravity (which relates pretty
> well to hardness) for
> > butternut 0.38, basswood 0.37, catalpa 0.41, black
> walnut 0.55 as compared
> > to white oak 0.68 or red oak 0.63
> >
> > Butternut is getting HARDER (to purchase) just
> found 900 bd ft for $7.25 a
> > board foot (ouch). (Notice how I worked the word
> harndess in there?
> hehehe)
> >
> > Lately I'm finding it very HARD to find the light
> colored butternut
> (almost
> > basswood color). A tree of life I did from
> butternut 20 years ago needs
> > another 51 roses carved to expand the tree. We
> selected the lightest
> > butternut we could find, but after carving all 51
> roses the clear sealer
> > still made them too dark to match the older roses.
> We're now recarving all
> > 51 roses in basswood and staining them slightly to
> match the old roses.
> >
> > Butternut is HARDER to finish because it tends to
> fuzz. If it is carved
> with
> > sharp tools it will not fuzz. Also a light sanding
> after the first coat of
> > sealer removes most of the fuzzies.
> >
> > We're going to miss butternut when its gone.
> Catalpa is a closer match
> than
> > most woods with a little more sparkle in the
> grain. You have to see it up
> > close to tell the difference.
> >
> > Joe Dillett
> > The Carving Shop
> > 645 E. LaSalle St. Suite 3
> > Somonauk, IL. 60552
> > (815) 498-9290 phone
> > (815) 498-9249 fax
> > http://www.thecarvingshop.com
> > jdillett at thecarvingshop.com
> > http://www.carvingmagazine.com Carving Magazine
> web site and Readers Forum
> > http://community.webshots.com/user/joe_dillett
> > http://www.citizenactions.org
> > http://www.safeguardsystemsinc.com
> > **************************************************
> >
> >
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