[Woodcarver] Painting using linseed oil and artist oil (chat)
Steve Klein
stevenfklein at sbcglobal.net
Wed Jan 17 23:06:40 EST 2007
Maybe you did not boil it long enough ?
Merrilee Johnson wrote:
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> Thank you for your information on how you finished your carving. One time I
> tried boiled linseed oil but it smelled bad and stayed sticky for months. I
> think I did something wrong. It's time to try again!
> Merrilee
>
>
>
>> Dan,
>>
>> There have been a few of you who have shown interest on how I finished my
>> "Voyageur" carving.
>>
>> This is just one way to finish a carving. I'm sure if you asked one hundred
>> carvers how they finish a carving, you'll get about one hundred different
>> answers.
>>
>> Ivan gave a nice overview of various mediums; the one I'll show is using
>> boiled linseed oil and artist oils.
>>
>> When you start this process, it must be completed in one setting. You want
>> the linseed oil, which will saturate the carving, to remain in a liquid
>> state so the artists oil blends with the linseed oil rather than laying on
>> top of it. If the linseed oil is dry, the paint will lay on the surface of
>> the carving rather than becoming an integral part of it.
>>
>> Saturate the carving with boiled linseed oil until it will not accept any
>> more. Once the carving is saturated, wipe off all superficial linseed oil
>> with a rag, then use a dry soft bristle brush to remove any oil which may
>> be
>> trapped in crevasses. Brush an area where you want to remove the trapped
>> linseed oil, and then wipe the brush on a rag to remove any liquid which
>> was
>> collected on the brush. Continue the brush/wipe procedure until all
>> superficial oil is removed from the surface and all crevasse of the
>> carving.
>>
>> For my palette, I use a separate cup saucer for each color I'm going to
>> use.
>> Pour a small amount of linseed oil in the depression where the cup would
>> sit, and on the lip of the saucer squeeze a small bead of a color you will
>> be using.
>>
>> Mix a small amount of the paint with some of the linseed oil to make a
>> stain
>> and paint the stain on the carving. Continue this until you have the
>> carving
>> painted with all the colors desired.
>>
>> By having the carving saturated with the linseed oil, the paint will blend
>> with the wet linseed oil which saturates the carving and stay where you
>> want
>> it without bleeding.
>>
>> If you want more wood grain to show in specific areas, or you want to
>> highlights, wipe some of the stain from the surface of the carving. Wiping
>> will remove some of the superficial stain, yet leave that which has
>> saturated into the carving.
>>
>> I allow the stained carving to dry for a couple of weeks before painting
>> the
>> pupils in the eyes. Again after a couple of weeks, I used white paint on
>> the
>> tip of a needle to put the glint in the eyes.
>>
>> When all the paint was dry, I coated the carving with a light spray of
>> clear
>> acrylic varnish to protect the base paint.
>>
>> I like this process because the carving has color, yet you can see the wood
>> grain through the paint. Again, if you want to see what this process looks
>> like, check my web site at www.ellenwoodarts.com
>> <http://www.ellenwoodarts.com/> , click on Gallery and on thumbnail "one".
>>
>> You can also use this process using pure tung oil in place of the linseed
>> oil.
>>
>> Each time you used any rags in this process, properly dispose of them to
>> prevent the potential of spontaneous combustion.
>>
>> Any questions, please contact me.
>>
>>
>>
>> Ev Ellenwood
>>
>>
>>
>> www.ellenwoodarts.com <http://www.ellenwoodarts.com/>
>>
>> ellenwoodarts at charter.net
>>
>>
>>
>>
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