[Woodcarver] Photo Help
Jeff Pretz
jefpretz at ptd.net
Thu Feb 5 20:48:28 EST 2009
Very Helpful for us who are learning to take pictures of our carvings! Thank
you very much Ron!
Jeff Pretz
jefpretz at ptd.net
Lancaster County WoodCarvers
www.lancarvers.com
http://mycarvingclub.com/JeffPretz
----- Original Message -----
From: "Ramsey" <ron at carvedbyramsey.com>
To: <woodcarver at carverscompanion.com>
Sent: Thursday, February 05, 2009 6:57 PM
Subject: [Woodcarver] Photo Help
> Friends in Carving: Please support our List - visit the Carvers' Campanion
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>
>
> If you want a professional looking photograph on a budget, follow
> these instructions:
>
> Set up a table or sawhorses against a wall in a room where you will
> be able to block out all of the the light or to make the room dark at
> night. You want to be able to control ALL of the light on your
> carving. Too much light in the wrong place will cause the colors to
> be washed out or the carving to have too much glare in some areas.
> This why it's NOT RECOMMENDED TO TAKE PHOTOS OUTDOORS!
>
> Go to a framing store and buy a large piece of medium grey poster
> board. Bend the poster board so that has a curve at the back and is
> vertical against the wall at the top and horizontal against the table
> at the bottom. Some thumbtacks outside the edge will help hold it in
> place.
>
> Use a minimum of two lights that have swivel bases and adjustable
> arms. Use CFL bulbs. Natural light bulbs are better if you don't
> plan on processing your photos on photo software. The bulbs should
> not be more than the equivalent of 40 watts incandescent. The reason
> you need two or more lights is that you will need to direct the light
> from at least two directions to fill the shadows. You will still be
> able to get shadows to show the detail but there wont be areas that
> are lost in shadow. Cover the light bulbs with semi-transparent
> tracing paper taped to the lampshades. This is to diffuse and soften
> the light. Professional photographers have special lights that work
> essentially the same way. Experiment with the adjustments of the
> lights. Do not point the lights directly at the carving. I
> sometimes point the lights at the ceiling to reflect the light off of
> the white sheet rock. The ideal lighting will be much darker to your
> eye than what appears correct. Sometimes it appears too dark to take
> a picture but don't be fooled. EXPERIMENT! EXPERIMENT! EXPERIMENT!
> If the photo appears too dark when you upload it, experiment with the
> brightness and contrast.
>
> USE A TRIPOD! Set the ISO at 200 or less, and the highest resolution
> your camera allows. Too high of an ISO will cause grainy photos. Set
> the camera on manual and don't use the flash. Use the timed release
> to release the shutter so there will be no movement. You will be
> taking the photo at a very slow shutter speed and any movement will
> cause blur. Most digital cameras will set the exposure for you. Use
> a 10 second time delay to allow the camera time to settle down after
> you push the button.
>
> I prefer to take under exposed photos and then work with them with
> photo processing software. This allows me to enhance the brightness
> and contrast and adjust the colors and saturation. The computer
> processing can take a bit of experience to master but it's possible
> to get quality raw photos with the photography techniques I've
> outlined above.
>
> Take lots of photos, upload them to the computer and analyze the
> weaknesses. Adjust lighting angle etc. and take lots more. You will
> learn what works for you and what doesn't
> --
> Ron Ramsey
> http://www.carvedbyramsey.com
>
>
> Be sure to look at the incredible nature inspired art jewelry hand
> fabricated by my wife, Karen Olsen Ramsey. It's worth the time to
> take a look!
> http://www.artjeweler.com
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>
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