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<font size="+2"><font face="Times New Roman">Hadn't thought of that.
Was thinking of my dream <br>
shop and where I am now there's trees all around.<br>
You CAN'T get direct sun without clear cutting a<br>
bunch of them. I'll agree that if there's "direct" sun<br>
then a north window would be a much better <br>
approach.<br>
<br>
Tom (nj) ;--)<br>
</font></font><br>
Ramsey wrote:
<blockquote cite="mid:a06020404c6dfe21e4ce8@%5B66.81.32.187%5D"
type="cite">Friends in Carving: Please support our List - visit
carverscompanion.com/List/Support.html to donate.
<br>
<br>
<br>
I have one comment regarding the placement of a work table against
south facing windows. I made that mistake when I built my studio. When
the sun is shining it's too bright and the glare makes it impossible to
see what I'm doing. I have to pull the shades, thereby negating the
advantage of the windows. The standard wisdom for artist's studios is
to use north light. This gives you a more true shadows and colors.
<br>
<br>
"some woodworkers benches and at least one
<br>
4 foot square table. If possible have a bench
<br>
against a south or southwest facing exterior
<br>
wall with LARGE windows. Another placed
<br>
for access from both sides."
<br>
</blockquote>
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